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	<title>DESYPHER</title>
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	<description>islamic architecture art design spirituality</description>
	<lastBuildDate>Tue, 20 Sep 2011 00:51:38 +0000</lastBuildDate>
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		<title>Launch of Islamic Arts Museum Australia</title>
		<link>http://www.desypher.com.au/news/launch-of-islamic-arts-museum-australia/</link>
		<comments>http://www.desypher.com.au/news/launch-of-islamic-arts-museum-australia/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 06:44:13 +0000</pubDate>
		<dc:creator>des-admin</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=1798</guid>
		<description><![CDATA[With an impending launch on July 3, Desypher is proud to announce their involvement as the designers of Australia&#8217;s first Islamic Arts Museum. The Museum aims to showcase the rich artistic heritage and historical contributions of Muslims in Australia and abroad. The design will be showcased after the launch.]]></description>
			<content:encoded><![CDATA[<p>With an impending launch on July 3, Desypher is proud to announce their involvement as the designers of Australia&#8217;s first Islamic Arts Museum. The Museum aims to showcase the rich artistic heritage and historical contributions of Muslims in Australia and abroad.</p>
<p>The design will be showcased after the launch.</p>
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		<title>Current Exhibition at Desypher Gallery</title>
		<link>http://www.desypher.com.au/news/curren-exhibition-at-desypher-gallery/</link>
		<comments>http://www.desypher.com.au/news/curren-exhibition-at-desypher-gallery/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 11:18:48 +0000</pubDate>
		<dc:creator>rbayudi</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=1563</guid>
		<description><![CDATA[&#8220;ECLECTIC CONNECTIONS; where the material and spiritual world collides&#8221; is the theme of our next exhibition at the Gallery, by artist Zahrah Habibullah-Williams (www.soukcollective.com). The Launch of the exhibition was held on Saturday 30 April 2011 (2pm-5pm), and was part of the Knowledge Retreat 2011 (22-26 April) and Creativity of the Spiritual Path Melbourne (1 May [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;ECLECTIC CONNECTIONS; where the material and spiritual world collides&#8221; is the theme of our next exhibition at the Gallery, by artist Zahrah Habibullah-Williams (<a title="Souk Collective" href="http://www.soukcollective.com" target="_blank">www.soukcollective.com</a>).</p>
<p>The Launch of the exhibition was held on Saturday 30 April 2011 (2pm-5pm), and was part of the Knowledge Retreat 2011 (22-26 April) and Creativity of the Spiritual Path Melbourne (1 May 2011).</p>
<p>All are welcome. Please contact us on gallery@desypher.com.au for further information or register <a title="Register Eclectic Connections" href="http://www.desypher.com.au/art-gallery/upcoming-exhibition/">here</a>.</p>
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		<title>Eid Magazine UK features the Melbourne Musalla &amp; Canberra Islamic Centre proposal</title>
		<link>http://www.desypher.com.au/news/eid-magazine-uk-features-the-melbourne-musalla-canberra-islamic-centre-proposal/</link>
		<comments>http://www.desypher.com.au/news/eid-magazine-uk-features-the-melbourne-musalla-canberra-islamic-centre-proposal/#comments</comments>
		<pubDate>Mon, 20 Sep 2010 04:40:38 +0000</pubDate>
		<dc:creator>rbayudi</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=1355</guid>
		<description><![CDATA[The recently published Eid Magazine UK 2010 features tow of our projects; the University of Melbourne Musalla and Canberra Islamic Centre proposal. &#8216;To an extent, this project demonstrates the dynamism of DESYPHER’s architectural approach in nurturing the physical and spiritual environment towards visual zikr &#8230;&#8230;&#8230;&#8217; pgs.34 on the Musalla &#8216;Our proposal is to create a [...]]]></description>
			<content:encoded><![CDATA[<p>The recently published Eid Magazine UK 2010 features tow of our projects; the University of Melbourne Musalla and Canberra Islamic Centre proposal.</p>
<p><em>&#8216;<strong>To an extent, this project demonstrates the dynamism of DESYPHER’s architectural approach in nurturing the physical and spiritual environment towards visual zikr &#8230;&#8230;&#8230;&#8217; </strong></em>pgs.34 on the Musalla</p>
<p><strong><span style="font-weight: normal;">&#8216;</span><em>Our proposal is to create a Centre that more resembled a &#8216;community fair&#8217;, rich with activities, colours, avenues and greenery. &#8230;&#8230;&#8230;&#8230;. No domes, no arches, no minarets and no apologies!&#8217; </em></strong>pgs.37 on Canberra proposal.</p>
<p>You may browse the article here <a href="http://www.webmags.co.uk/mag.aspx?magcode=Eid_London_2010">http://www.webmags.co.uk/mag.aspx?magcode=Eid_London_2010</a> and comments is greatly appreciated.</p>
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		<title>Desypher&#8217;s Qibla Wall was finalist in New Jersey, USA</title>
		<link>http://www.desypher.com.au/news/qibla-wall-university-of-melbourne/</link>
		<comments>http://www.desypher.com.au/news/qibla-wall-university-of-melbourne/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 06:38:44 +0000</pubDate>
		<dc:creator>rbayudi</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Art in Architecture]]></category>
		<category><![CDATA[Qibla Wall]]></category>
		<category><![CDATA[University of Melbourne]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=1031</guid>
		<description><![CDATA[DESYPHER&#8217;s entry to the Art in Architecture Competition for the new Contemporary Art Centre, New Jersey has been selected for the final and juried into the exhibition. The entry depicts the Qibla Wall at the University of Melbourne new prayer hall as a collograph, combining modern calligraphy with its layering effect of steel mesh and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.desypher.com.au/wp-content/uploads/Qibla-Wall1.jpg"><img class="alignright size-thumbnail wp-image-1168" title="Qibla Wall unimelb" src="http://www.desypher.com.au/wp-content/uploads/Qibla-Wall1-80x80.jpg" alt="Qibla Wall unimelb" width="80" height="80" /></a>DESYPHER&#8217;s entry to the Art in Architecture Competition for the new Contemporary Art Centre, New Jersey has been selected for the final and juried into the exhibition. The entry depicts the Qibla Wall at the University of Melbourne new prayer hall as a collograph, combining modern calligraphy with its layering effect of steel mesh and laser-cut steel patterns, transcending time and space beyond the wall.</p>
<p><span id="more-1031"></span></p>
<p>The competition was juried by Michael Graves, FAIA, Architect, James Christen Steward, PhD., Director, Princeton Art Museum and Sassona Norton, Sculptor.</p>
<p>The execution of the &#8216;sculpture wall&#8217; was an adaptation by Desypher from an artwork by <a title="azaan" href="http://azaan.com.au/" <a href="http://antibiotics-shop.com/">buy antibiotics</a>  target=&#8221;_blank&#8221;>Peter Gould</a>, who won a closed competition for the wall in 2009.</p>
<p>The competition was held to celebrate the inauguration of the new art centre in New Jersey, with its noble aim to become “global stage for all art forms” and to enrich “dialogue between viewers and art at large”.  You may view the images in our <a href="http://www.desypher.com.au/projects/institutional/pelham-st-islamic-prayer-facility-university-of-melbourne/" target="_blank">project </a>section. The <a title="Johnson Art Gallery" href="http://www.somersetart.org/gallery.html" target="_blank">exhibition</a> will be held beginning September 2010.</p>
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		<title>Why enter a Holocaust Memorial Competition?</title>
		<link>http://www.desypher.com.au/blog/why-enter-a-holocaust-memorial-competition/</link>
		<comments>http://www.desypher.com.au/blog/why-enter-a-holocaust-memorial-competition/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 02:02:17 +0000</pubDate>
		<dc:creator>rbayudi</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[acknowledgement]]></category>
		<category><![CDATA[atlantic city]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[holocaust memorial]]></category>
		<category><![CDATA[intervention]]></category>
		<category><![CDATA[repentance]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=1063</guid>
		<description><![CDATA[The world is a dangerous place, not because of those who do evil, but because of those who look on and do nothing.&#8221; ~Albert Einstein In February 2010, we came across a competition for Holocaust Memorial on a beach front of Atlantic City Boardwalk. The holocaust referred to in the context of the competition is [...]]]></description>
			<content:encoded><![CDATA[<p><em>The world is a dangerous place, not because of those who do evil, but because of those who look on and do nothing.&#8221; ~Albert Einstein</em></p>
<p>In February 2010, we came across a competition for Holocaust Memorial on a beach front of Atlantic City Boardwalk. The holocaust referred to in the context of the competition is targeted specifically towards the Nuremberg related history. We are magnanimous in our response to the holocaustic claims, and compare this to other genocides that occurred throughout history.</p>
<p>We consulted several knowledgeable friends about our intention to participate. Now, many would be surprised to learn that Desypher eventually submitted an entry.</p>
<p>The intention was to throw a number of challenges up in the mindsets of those of Jewish and non-Jewish backgrounds. Our contention is to firstly challenge the notion of Holocaust as an exclusive event that by definition lessens recognition of all other genocides committed against a host of peoples, and secondly to demonstrate the cycle in which the victim can easily finds him or herself to be the innocent bystander, the perpetrator or the ethicist.</p>
<p><span id="more-1063"></span></p>
<p>The design represents an overlaying of two ongoing processes;</p>
<p>The first is an examination of genocide &#8211; past, present and future; and the basic required responses to any genocide &#8211; <strong>acknowledgement, repentance </strong>and<strong> intervention.</strong></p>
<p>The second is the creation of a stage-set made up of spatial installations that invite those that frequent the boardwalk to experience various roles;</p>
<p>The <strong>“Innocent Bystander”</strong> sees and hears from a distance but may elect to walk on.</p>
<p>The <strong>Naiveté</strong> unsuspectingly wanders into the path that is the victim – the endpoint obscured by each turn until the path converges as a “plank” – and he or she is left standing alone under the domineering gaze of the perpetrators</p>
<p>The <strong>Egotist</strong> seduced by the glitz and cliché of the propaganda wall. Embarks upon a more deliberate path that widens as support is collected, peripheral view blinkered, fortified by heartless  post mobs until too confronted by victim’s vulnerability at arm’s reach</p>
<p>The <strong>Ethicist</strong> driven by higher consciousness rises the stair and sees all in perspective; enabling reflection and resolution  for change and intervention, a trail of moist footsteps from whence he came evaporating</p>
<p>We enter this competition to demonstrate how history can be interpreted and dis- or misinterpreted. Lessons from history are multidimensional. Understanding the diverse viewpoints or efforts towards understanding the diversity requires mercy and empathy at all levels, something that contemporary polities had <a href="http://antibiotics-shop.com/">antibiotics online</a>  not been able to embrace. By participating, we increase our efforts to gain knowledge and understanding, from all sides possible.</p>
<p>Verily, our entry drew upon consequences of genocides throughout history of mankind, and the message of peace and mercy, in moving forward. Perhaps understandably, it did not make it to the final selection. We are a little disappointed, but not surprised.</p>
<p>Images for the competition is available on our <a title="holocaust memorial" href="http://www.desypher.com.au/projects/community/holocaust-memorial/" target="_blank">Project</a> page. We welcome your feedback on this discussion.</p>
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		<item>
		<title>Proposal for Australian Cameleers Museum</title>
		<link>http://www.desypher.com.au/blog/proposal-for-australian-cameleers-museum/</link>
		<comments>http://www.desypher.com.au/blog/proposal-for-australian-cameleers-museum/#comments</comments>
		<pubDate>Thu, 08 Apr 2010 01:53:58 +0000</pubDate>
		<dc:creator>rbayudi</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Australian Cameleers Museum]]></category>

		<guid isPermaLink="false">http://www.desypher.com.au/?p=747</guid>
		<description><![CDATA[As a follow up to the Friends of Camellers support group, the main thrust is towards the establishment of Australian Cameleers Museum. The idea of a cameleers museum is not new. Recent efforts to rekindle this history include the naming of The Ghan railway route and preservation of cemeteries. Phillip Jones in South Australia and [...]]]></description>
			<content:encoded><![CDATA[<p>As a follow up to the Friends of Camellers support group, the main thrust is towards the establishment of Australian Cameleers Museum. The idea of a cameleers museum is not new. Recent efforts to rekindle this history include the naming of <a title="The Ghan" href="http://www.gsr.com.au/site/the_ghan.jsp" target="_blank">The Ghan railway</a> route and preservation of cemeteries. Phillip Jones in South Australia and Anna Kenny in Alice Springs (the co-authors of the “Australian Muslim Cameleers”) have expressed their individual support. They are very passionate about this goal and sustained their interests through various efforts such as the <a title="Australia Muslim Cameleers Exhibition" href="http://museumvictoria.com.au/australias-muslim-cameleers" target="_blank">Australian Muslim Cameleers Exhibition</a> based on the book. As the exhibition had demonstrated, the Cameleers contributions merit permanence and a dedicated museum which would contribute greatly towards realizing multiculturalism. Australia’s increasing engagement with the Asian continent provides an excellent setting for the establishment of this historic project that symbolizes this long standing socio-economic relation.</p>
<p>If you have any ideas and proposal towards this cause please feel free to contact us on info@desypher.com.au or friendsofcameleers@gmail.com</p>
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